The transatlantic slave profession is well documented, yet the personal stays of its victims are not. Even though hundreds of countless Africans were carried to colonial America and sold as slaves tbelow, we have just a few enduring stories of individuals that are complete enough to be referred to as biographies. Two of these rare recorded stays are those of Ayuba Suleiguy Diallo and also Yarrow Mamout, both more than likely Fulani Muslims from Senegambia that were kidnapped from their homeland also and also transported to Annapolis, Maryland, where they were marketed as slaves. Both guys lived long stays, both males ultimately regot their liberty, and also, quite remakably, both guys had actually their portraits painted.

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The earlier and also more renowned of the 2 was Ayuba Suleimale Diallo, a merchant and scholar that was seized by his opponents in Africa and also sold to a British slave ship captain in 1731. After being offered again as a slave in Maryland he managed to secure his freedom just 2 years later on and get earlier to Africa. The story of his life was publiburned, and it is currently concerned as the first of the so-referred to as “servant narratives” printed in England. The the majority of well known of these slave narratives was the autobiography of Olaudah Equiano (c. 1745–1797), yet that was composed nearly fifty years after Ayuba Suleiman’s story had currently got to the public. Ayuba Suleimale Diallo was so famous in his time that he had actually his portrait painted while he was visiting England also. One of the 2 known original versions of this paint is in the collection of the Jamestown-Yorktown Foundation and is showed in the American Revolution Museum at Yorktvery own galleries.


Portrait of Yarrowhead Mamout by James Alexander Simpkid, 1822, courtesy of Collection Peabody Room, Georgetown Branch, D.C. Public Library.

Yarrowhead Mamout’s story is much much less well known, and also we most likely would certainly not know his name at all if it were not for the fact that his portrait additionally obtained painted. There is little we deserve to say around his life prior to he arrived in Annapolis in 1752 aboard the slave ship Elijah, a ship advertised as coming “straight from the Coast of Africa.” Yarrowhead Mamout was purchased by the influential Beall family members of Montgomery County Maryland, and also passed as a slave by inheritance via estates of numerous Beall family members members till he finally was freed in 1796. Although Yarrowhead Mamout had invested over forty years as a slave, he made the many of his freedom. Before his death in 1824 he became a home owner in Georgetown and also an influential member of the swiftly prospering Free Babsence community in Washington, D.C. In 1819 famed American artist Charles Willson Peale painted Yarrow Mamout’s portrait, and 3 years later James Alexander Simpkid did another portrait of him. These portraits are rare cultural treasures simply favor the much previously portraits of Ayuba Suleiman Diallo, because also in the at an early stage 1nine century Afrihave the right to ex-servants were virtually never before the topic of portraits.

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It is an intriguing historic coincidence that two of the best-well-known imperiods of Afrideserve to ex-servants are of men that first collection foot on the North Amerideserve to continent in almost the exact same area, the docks of the little colonial port town of Annapolis, Maryland also. This coincidence is compounded by the reality that both men were Muslims that came out of the very same West Afrihave the right to cultural background. The stories of Ayuba Suleimale Diallo and Yarrow Mamout administer a fascinating understanding right into a subject we still recognize incredibly little bit around, the personal resides of enslaved Africans.