The April 23 cover, portraying the thriving chaos within the Trump White Housage, may look acquainted to some readers: We asked collaborator Tim O’Brien to reimagine a cover he did for us just over a year ago.
 With his inventive style and fine hairline brush, Tim’s updated piece mirrors the rising water from the storms swirling inside the Oval Office.

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“When I painted the ‘Nothing to See Here’ cover art, favor many type of, I assumed the level of chaos can not last, that patriots on both sides of the aisle would certainly action forward to regulate much of what transpired in the previous year,” states O’Brien, a Brooklyn-based artist whose job-related has showed up on over two dozen covers since 1989, extending subjects ranging from the Catholic church to Osama Bin Laden.

“As the never-finishing flood of breaking news wamelted over the White Housage, and the firings, the scandals and also the basic mayhem filled each news cycle, I felt the storm metaphor was as relevant as ever,” states O’Brien, who offered air brush, pencil, gouache and oil paint to produce the item.” “I greatly thought about how water would fill the area, how it would certainly be transparent in some areas and reflective in others.”

Read more: See eexceptionally magazine with Donald Trump on the cover

Beyond his virtually 30-year relationship via, O’Brien’s work has actually showed up in publications everywhere the human being, including numerous U.S. pophase stamps and book covers such as the popular Hunger Games trilogy. Two of his magazine covers–one via Bill Clinton and Bob Dole and also the various other via the Grand also Old Populists, both publimelted in 1996—reside in the National Portrait Gallery at the Smithsonian in Washington, D.C.

Aside from’s iconic “X” therapy, O’Brien’s cover this week is the sixth in our 95-year background we designed covers that directly visually referral previous covers we have actually done.

The initially circumstances remained in 1998 once republished Roy Lichenstein’s paint of a gun 30 years after it was commissioned for a cover.’s original cover story, “The Gun in America,” through a memorable image by the Pop artist days after the murder of Robert Kennedy, and a couple months after Martin Luther King, Jr.’s. In 1998 on the 40th anniversary of that cover, went back to the concern, motivated in component by a string of school shootings that began that year in Pearl, Miss.

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In 2001, we called back a idea of “The Incredibly Shrinking President” from 1993—both featuring a diminutive Bill Clinton. When a President leaves office we suppose him to disappear for a while, cede the phase to his successor. In 2001, amid a brand-new crop of scandals, the throw earlier cover was a take on just how Clinton’s ex-presidency seemed to be a shriveled version of his presidency, including scandals entailing $190,000 worth of going-ameans presents, 177 last-minute clemencies (including notably the one he handed to fugitive billionaire Marc Rich.


For Stalso Brill’s award-winning series on medical bills, we updated the “Bitter Pill” concept from 2013 for his second installment on Obamatreatment. When we created the picture for the Dec 2, 2013 “Broken Promise” cover, it was obvious that Barack Obama’s forethe majority of legislative achievement would certainly not survive its first year intact and also that the success of the President’s second term would certainly depend on putting the pieces back together and mending the regarded “broken assures.”