Kristen Stewart’s Saturday Night Live guest hosting performance epitomizes the episode itself: a hit-and-combined bag—a couple of season highs, a couple of season lows—that ultimately feels favor a win.

You are watching: Saturday night live kristen stewart; alessia cara

This week, SNL authors came up through 2 fantastic cold opens: “Oval Office Open” starring Alec Baldwin as President Trump and also “Sean Spicer Press Conference” starring Melissa McCarthy in a season’s best cameo.

It’s brilliant to make Trump’s right-hand also male a Halloween save reaper (equally brilliant: giving Baldwin’s Trump a Russian lapel pin… did you notice that?). In simply over a year, the controversial Breitbart News chair quit his day task to run Trump’s upbegin presidential campaign, only to glide right into the position of Advisor to the President and chief political strategist… among Trump’s closest and also most influential advisors (re: #PresidentBannon). It is a stunning rise for the previous Hollyhardwood producer (Sean Penn’s The Indian Jogger, Julie Taymor’s Titus) turned alt-appropriate provocateur,who additionally happens to have actually a parody-prepared visage ripe for comedic exploitation—cokehead movie producer via a heart of coal. Easy right? Ah, yet SNL surprises and also delights by pushing previous low-hanging parody into full-on theatre of the absurd. It’s an influenced alternative.

Still, it is Melissa McCarthy’s fantastical Sean Spicer send-up that steals the episode. Few comedians play ham-fisted bully through as much sweet catharsis as she. Her hair and makeup task is a marvel, yet it’s her balls-out performance—matched through hilarious writing—that lands this sketch in best-of-seaboy region. Spicer’s mad-capped spin is deliriously logic-bending in its own ideal, but here it becomes a veritable roller coaster of push-back… looping, twisting, corkscrewing us to our seats. At one suggest McCarthy spritzes a reporter with soapy water from a Super Soaker to wash out his “filthy, lyin’ mouth.” This really need to have actually been the show’s cold open, via “Oval Office Open” adhering to. (At one allude McCarthy actually claims, “Live from New York it’s Saturday Night!” Only to be corrected by Miessential Day: “Yeah, that currently happened.”)

“Meet Cute,” is a pretty great pre-tape that explores the age-old question: When two cutes accomplish in a rom-com and agree to go on a day together without making any comprehensive plans, just how carry out they ever actually satisfy up? It’s an observational comedy joke turned right into a mildly amusing brief film. Fine, nothing distinct. But via pre-tapes “Welcome Video” and also “Totinos With Kristen Stewart,” SNL’s amazing place production team delivers much better job-related this week.

“Welcome Video” offers us a hastily re-edited TSA customizeds video reflecting the Trump Administration’s travel ban. What was when a friendly and welcoming introduction to America becomes a foreboding streatment video, complete with hack modifying and also ominous Beck Bennett overdubs. “Totinos With Kristen Stewart” transforms a cheery, Super Bowl Sunday pizza rolls commercial into steamy French love story starring Kristen Stewart and Vanessa Bayer. The principle is funny, of course, but it is the perfect spreading of Stewart as sexy provocateur, and also Bayer as her duty-bound housewife paramour, that elevates the item.

Generally, SNL’s mishaps and laugh breaks make the display feel, well, live. But the technical errors in this week’s Weekend Update appeared method off to the allude of joke-killing. No means to understand what’s going on here, but with a team of writers and producers focused solely on the segment, and Colin Jost and Michael Che finally finding a workable rhythm, it is inexcusable for the segment to be torpedoed by missed cues and also technical glitches. Isn’t this is what dress rehearsals are for—anticipating and also correcting logistical errors? Bringing ago Keenan Thompson’s worn down Big Papi was a stretch to begin with, however completely botching his exit killed and hidden the bit.

“Dry Fridays” was a funny, mid-range SNL pleaser, while “Celebrity Family Feud” was a little of a dud—all erected, no payoff. Likewise, 10-to-1 “Golden Ticket” was a slight, probably-should-have-been-cut-for-time throwameans, while “Sean Spicer Press Conference” was among the best political sketches of the past 5 years. Perhaps this is what great Saturday Night Live looks like: hits that count, and misses that are conveniently forgained.

I really carry out try to cheer on Saturday Night Live musical guests that I don’t track via (I tend to go much harder on musical guests of which I am a fan), yet the doggedly banal, sings-real-good-and-that’s-about-it Alessia Cara leaves me worn down, out of words, my generosity strained. Cara is fine. Pretty voice—like everyone who sings on TV. Her performance of “Scars To Your Beautiful” was fine, as was “River Of Tears.” Just fine—if you choose that type of thing. I issue that what is many compelling about Cara is that she’s new... A little bit little bit of this pop princess that came prior to, a small of this one. The recently arrived every-girl we must all acquire on board with for the moment… because? Because we need a pop phenom this year, and someone has made a decision that it needs to be her. Well, okay then. Fine.

See more: How Do You Say Bless You In Chinese, How To Say Bless You In Resonse To A Sneeze

Next off week’s display promises the 17th guest hosting appearance of SNL’s resident Trump impersonator, Alec Baldwin. This marks a record number of organize appearances by one actor, a milerock for both Baldwin and Saturday Night Live. With Baldwin serving as an ad-hoc cast member this year, the episode has actually all the maemperors of a SNL we’ll all be talking about for some time. Hopecompletely, Weekfinish Update will certainly gain their act together and musical guest Ed Sheeran will uncover a means to supply live performances higher than the amount of the predictably pleasing pop songs he’s recognized for.

NEXT WEEK: Alec Baldwin and also Ed Sheeran

Chris White writes and directs independent feature films. His latest is Unending up being, an award-winning, southern gothic comedy starring Patti D’Arbanville and Michael Foremainder. Follow Chris on Twitter.