Tright here was a time in the early on 80s once a brand-new release by the team One Way was an essential event for me. The songs by Al Hudson, Dave Roberson, and also especially Kevin McCord have actually come to be genuine classics. Songs prefer “Give Me One More Chance”, “Don’t Fight The Feeling”, “Didn’t You Know It”, “If Only You Knew”, or “Mr. Groove” still shine bright. And of course earlier pieces like “Do Your Thang”, “Let’s Go Out Tonite”, “I Am Under Your Spell”, or “Music”.

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26 years after the last album, “One Way with Alicia Myers & Friends”, the team has actually released a brand-new album. Consisting of Al Hudchild III, Dave Roberson, Jr., Jeanette Jackchild, Tony Lippett, Jack Hall (original member), Johnny Murray, Craig Lane, and also Terry Washington, the focus on the 15 tracks on the album lies on uptempo disco heart cuts such as the opener “Let’s Dance”, obviously trying to resurrect the great old days à la “You Can Do It” or “Music” (1979). “Mr. Groove” states hello on “Hump That Butt”, through George Clinton samples and those Zapp-favor funky grooves including talk box. The funk continues through “Heat It Up” prior to tempo slows down for the initially time on the fifth track of the album, the wonderful old school-sounding “We Won’t Stop” with instrumentation by Valdez Brantley who has actually played on One Way albums since “Wrap Your Body” (1985). Al periodically reminds me of Rick James on this cut.

The first genuine ballad of the album, “Hard To Walk Away”, is a nod to the Isley Brothers and not really innovative or original. Maceo Parker horns are sampled into “Doin It Like This”, a fairly boring, repetitive funk ditty, and more George Clinton samples on the equally stale “Old School Funk Tonite”. There’s a serious triteness and also banality, lyrically and rhythmically and production-wise, on “Steppin 4 Fun”, by far the worst track of the set. I think the team fares a lot much better with slow and also midtempo spirit pieces favor “I Want Your Luv” or “Wonder If She Knows”. Old institution spirit balladry continues through the vocoder-induced “What Am I Suppose To Do” and the best of the ballads on offer is “I’ll Do Anything” through a sax solo by David McMurray who additionally plays on the quite dramatic album closer “Hold On To U” with those signature Al Hudkid vocals.

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